Vol. 8 No. 1 (2024)

Editorial

1-26

Vulnerabilities, image politics and new subjectivities

https://doi.org/10.20396/modos.v8i1.8675677

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DOI: https://doi.org/10.20396/modos.v8i1.8675677

Articles - Collaborations

Natália Rezende Oliveira

27-52

The gracious inconstance of (art) forms in Cecilia Vicuña’s quipus

https://doi.org/10.20396/modos.v8i1.8674326

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DOI: https://doi.org/10.20396/modos.v8i1.8674326

Tatiana Sampaio Ferraz

54-85

Three-dimensional works from the MAM São Paulo collection made by awarded women in the Panoramas of Brazilian Art

https://doi.org/10.20396/modos.v8i1.8673790

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DOI: https://doi.org/10.20396/modos.v8i1.8673790

Victor Tuon Murari

87-104

Between the line and the criticism: reflections on the engraving Natura Morta con Oggetti Bianchi su Fondo Scuro by Giorgio Morandi in the MAC USP collection

https://doi.org/10.20396/modos.v8i1.8674406

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DOI: https://doi.org/10.20396/modos.v8i1.8674406

Franciane Canêz Cardoso, Niura Legramante Ribeiro

106-138

The Private circuit of art exhibitions in Rio de Janeiro in the 1880s: a transitional phase from the academic art system to the modern one

https://doi.org/10.20396/modos.v8i1.8674599

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DOI: https://doi.org/10.20396/modos.v8i1.8674599

Dossier - Vulnerable art: collections, histories, research, exhibitions

Lucia Reily, Maria Cristina da Rosa Fonseca da Silva

140-163

Vulnerable art. Collections, histories, research, exhibitions

https://doi.org/10.20396/modos.v8i1.8675675

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DOI: https://doi.org/10.20396/modos.v8i1.8675675

Evelyne Azevedo, Manan Terra Cabo, Rodrigo Manuel Pentagna Guimarães

165-183

Invisible, intangible and irretrievable: the paintings of the Quinta da Boa Vista National Museum

https://doi.org/10.20396/modos.v8i1.8674175

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DOI: https://doi.org/10.20396/modos.v8i1.8674175

Luiz Cláudio da Costa

185-204

The precarious condition of the art or the insufficiency of the work

https://doi.org/10.20396/modos.v8i1.8673779

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DOI: https://doi.org/10.20396/modos.v8i1.8673779

Ivan Coelho de Sá, Maciel Antonio Silveira Fonseca

206-222

Collections in perspective: the system of missing, recovered and returned objects of Minas Gerais as a tool to combat the illicit trafficking of cultural goods

https://doi.org/10.20396/modos.v8i1.8674154

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DOI: https://doi.org/10.20396/modos.v8i1.8674154

Lucia Reily

224-259

Engaging society with imagery created by people who live psychiatric experiences: the Prinzhorn Collection Museum

https://doi.org/10.20396/modos.v8i1.8675660

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DOI: https://doi.org/10.20396/modos.v8i1.8675660

Julia Rocha , Kellyn Batistela, Maria Cristina da Rosa Fonseca da Silva

261-296

The educational possibilities of Franklin Cascaes' work: vulnerable aspects

https://doi.org/10.20396/modos.v8i1.8674260

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DOI: https://doi.org/10.20396/modos.v8i1.8674260

Thais Fernanda Rocha Magalhães; Henrique de Oliveira Lee

298-324

Curatorship, Non-hegemonic Institutional Collection, Women Artists: the Bio exhibition at the Museum of Popular Culture and Art (MACP) in the State of Mato Grosso

https://doi.org/10.20396/modos.v8i1.8674168

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DOI: https://doi.org/10.20396/modos.v8i1.8674168

Victor Santos

326-369

The LGBT Center, memory space

https://doi.org/10.20396/modos.v8i1.8674335

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DOI: https://doi.org/10.20396/modos.v8i1.8674335

Regina Lara Silveira Mello, Teresa Almeida

371-394

Stained glass as an open-air collection or incorporated into the internal spaces of museums

https://doi.org/10.20396/modos.v8i1.8674702

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DOI: https://doi.org/10.20396/modos.v8i1.8674702

Milla Maués Pelúcio Pizzignacco, Paulo Teixeira Iumatti

396-429

Caruaru Cordel Museum: possible resistance to the vulnerabilisation of popular collections

https://doi.org/10.20396/modos.v8i1.8674462

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DOI: https://doi.org/10.20396/modos.v8i1.8674462

Fabiane Pianowski

431-450

Factoría Merz Mail: productions and publications by artist, activist, researcher and publisher Pere Sousa

https://doi.org/10.20396/modos.v8i1.8674004

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DOI: https://doi.org/10.20396/modos.v8i1.8674004

Robson Xavier da Costa, Eduardo Gomes de Lucena

452-471

Mail Art in the 21st century: archives and Developments

https://doi.org/10.20396/modos.v8i1.8674281

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DOI: https://doi.org/10.20396/modos.v8i1.8674281

Lucia Reily (Entrevistador); Thomas Röske

473-521

“She was not an outsider artist”: interview with Thomas Röske about the Elfriede Lohse-Wächtler exhibit at the Prinzhorn Collection Museum

https://doi.org/10.20396/modos.v8i1.8675687

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DOI: https://doi.org/10.20396/modos.v8i1.8675687