Vol. 3 No. 2 (2019)

Editorial

01-08

MODOS. Revista de História da Arte

https://doi.org/10.24978/mod.v3i2.4216

PDF (Português (Brasil))

DOI: https://doi.org/10.24978/mod.v3i2.4216

Articles - Collaborations

Jonathan Maho

09-26

It’s about the way you look: The art of Danh Võ’s exhibitions as told by his invitation cards

https://doi.org/10.24978/mod.v3i2.4217

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DOI: https://doi.org/10.24978/mod.v3i2.4217

Raquel Henriques da Silva

28-42

Lisbon in the years 1778 according to the Diary of William Beckford

https://doi.org/10.24978/mod.v3i2.4202

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DOI: https://doi.org/10.24978/mod.v3i2.4202

Afonso Medeiros

44-53

The figuration of the artist as a configuration of modernity

https://doi.org/10.24978/mod.v3i2.4141

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DOI: https://doi.org/10.24978/mod.v3i2.4141

Thamara Venâncio de Almeida, Henrique Grimaldi Figueredo

55-71

The new communication technologies and contemporary art institutions: Videobrasil as a case study

https://doi.org/10.24978/mod.v3i2.4091

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DOI: https://doi.org/10.24978/mod.v3i2.4091

Maria Carolina Duprat Ruggeri

73-93

The artist and the landscape: Claude Monet, a correspondence between nature and the artist’s nature

https://doi.org/10.24978/mod.v3i2.4144

PDF (Português (Brasil))

DOI: https://doi.org/10.24978/mod.v3i2.4144

The Artist in Representation: Images of Artists through the History of Art

Ana Cavalcanti, Fernanda Pitta

96-101

Presentation: The Artist in Representation: Images of Artists through the History of Art

https://doi.org/10.24978/mod.v3i2.4213

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DOI: https://doi.org/10.24978/mod.v3i2.4213

Maraliz de Castro Vieira Christo

103-124

Portraits of Groups of Artists in Brazil: The works of Arthur Timótheo da Costa and Angelo Bigi

https://doi.org/10.24978/mod.v3i2.4192

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DOI: https://doi.org/10.24978/mod.v3i2.4192

Elaine Dias

126-143

French artists in Brazil: Description and promotion of their image in the 19th century press

https://doi.org/10.24978/mod.v3i2.4129

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DOI: https://doi.org/10.24978/mod.v3i2.4129

Camila Dazzi

145-160

Models of Modernity

https://doi.org/10.24978/mod.v3i2.4197

PDF (Português (Brasil))

DOI: https://doi.org/10.24978/mod.v3i2.4197

Fábio D'Almeida

162-183

Shaping a shapeless sculptor: Henrique Bernardelli’s Aleijadinho and the depiction of the first genius of Brazilian art history

https://doi.org/10.24978/mod.v3i2.4164

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DOI: https://doi.org/10.24978/mod.v3i2.4164

Laurens Dhaenens

185-202

Artists’ Types from a Regional Perspective: A Study of Artists’ Representations in Art Criticism from Chile, Argentina and Colombia in the 1870s and 1880s

https://doi.org/10.24978/mod.v3i2.4208

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DOI: https://doi.org/10.24978/mod.v3i2.4208

Sandra Accatino, Josefina De La Maza, Catalina Isabel Valdés

204-219

Life and work: The artist biography as a main Idea for Art History written from Chile

https://doi.org/10.24978/mod.v3i2.4176

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DOI: https://doi.org/10.24978/mod.v3i2.4176

João Victor Rossetti Brancato

221-237

Images of studios in the art criticism of Adalberto Mattos

https://doi.org/10.24978/mod.v3i2.4090

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DOI: https://doi.org/10.24978/mod.v3i2.4090

Alberto Martin Chillon

239-256

The house that wanted to be a palace: The residence of the plasterers Meira

https://doi.org/10.24978/mod.v3i2.4199

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DOI: https://doi.org/10.24978/mod.v3i2.4199

Alain Bonnet - Université de Bourgogne

258-281

L’énigme de l’artiste: La construction imagée d’une identité sociale

https://doi.org/10.24978/mod.v3i2.4225

PDF (Français (Canada))

DOI: https://doi.org/10.24978/mod.v3i2.4225

Exhibitions / Review

Tadeu Chiarelli

284-288

Artist’s Work: Image and Self-image (1826-1929)

https://doi.org/10.24978/mod.v3i2.4220

PDF (Português (Brasil))

DOI: https://doi.org/10.24978/mod.v3i2.4220

Maria do Carmo Couto da Silva

290-295

Image and Self-image: Artist’s Work

https://doi.org/10.24978/mod.v3i2.4201

PDF (Português (Brasil))

DOI: https://doi.org/10.24978/mod.v3i2.4201

Pedro Ernesto Freitas Lima

297-304

Collections like ships, fragile are not just the migrants

https://doi.org/10.24978/mod.v3i2.4089

PDF (Português (Brasil))

DOI: https://doi.org/10.24978/mod.v3i2.4089

Bruno Pinheiro

306-317

A visit to the exhibition Histórias Afro-Atlânticas

https://doi.org/10.24978/mod.v3i2.4173

PDF (Português (Brasil))

DOI: https://doi.org/10.24978/mod.v3i2.4173