Vol. 2 No. 1 (2018)

Vol. 2 No. 1 (2018)

Published January 15, 2018

Editorial

01-10
MODOS. Revista de História da Arte
https://doi.org/10.24978/mod.v2i1.1050
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v2i1.1050

Articles - Collaborations

Jennifer Way
11-27
Mobilizing Craft: Diplomacy in the international turn of American Art History
https://doi.org/10.24978/mod.v2i1.967
PDF
DOI: https://doi.org/10.24978/mod.v2i1.967
Annateresa Fabris
29-48
A singular futurism: Menotti Del Picchia
https://doi.org/10.24978/mod.v2i1.950
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v2i1.950
Alexander Gaiotto Miyoshi
50-69
Facing the mirror: Michel Foucault’s writings on representational art in relation to artistic productions of the 1960s
https://doi.org/10.24978/mod.v2i1.966
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v2i1.966
Margarida Brito Alves, Bruno Sousa Marques
71-82
Shared lunches, unrequited loves and unfinished conversations: Everyday life and contemporary art
https://doi.org/10.24978/mod.v2i1.797
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v2i1.797
Juliana Silveira Mafra
84-109
The humour of feminist artists in the 1970s and 1980s
https://doi.org/10.24978/mod.v2i1.860
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v2i1.860
Ana Rita Vidica
111-131
Walking time of urban intervention: Temporal relations in the artworks Imagens Posteriores, Giganto and Polaroides (in)visíveis
https://doi.org/10.24978/mod.v2i1.900
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v2i1.900
Michelle Farias Sommer
133-150
Moving toward a (possible) state of the art of contemporary exhibitions there and here
https://doi.org/10.24978/mod.v2i1.810
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v2i1.810

Montage: the context of exhibitions

Beatriz Basile da Silva Rauscher
152-168
Strategies for the presentation of an artistic action in public space
https://doi.org/10.24978/mod.v2i1.898
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v2i1.898
Carlos Augusto Moreira da Nóbrega
170-180
Hiperorgânicos: From the White cube to the tesserato
https://doi.org/10.24978/mod.v2i1.943
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v2i1.943
Denise Conceição Ferraz de Camargo
182-191
The photography exhibition assembly as process: Spaces, artistic poetry and curatorship
https://doi.org/10.24978/mod.v2i1.949
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v2i1.949
Eriel de Araújo Santos
193-202
The search gives image, poetic instaurations in different places
https://doi.org/10.24978/mod.v2i1.965
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v2i1.965
Hélio Fervenza
204-219
Forms of presentation: Exhibitions, montages and impossible places
https://doi.org/10.24978/mod.v2i1.968
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v2i1.968
Hugo Fortes
221-234
Synapses: The display as thought and creative process
https://doi.org/10.24978/mod.v2i1.1029
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v2i1.1029
Leila Danziger
236-244
Dangerous, subversive, seditious
https://doi.org/10.24978/mod.v2i1.1032
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v2i1.1032
Luise Weiss
246-258
What was never shown: Archived experiments
https://doi.org/10.24978/mod.v2i1.1034
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v2i1.1034
Patricia Dias Franca-Huchet
260-275
The montage of yesterday or remembering provisions
https://doi.org/10.24978/mod.v2i1.907
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v2i1.907
Simone Michelin
277-294
About the extraordinary in everyday life
https://doi.org/10.24978/mod.v2i1.1036
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v2i1.1036

Exhibitions / Review

Rachel Vallego
296-304
New acquisitions: the Roger Wright collection at the exhibition Vanguarda Brasileira dos anos 1960
https://doi.org/10.24978/mod.v2i1.1037
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v2i1.1037