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Igor Passos Pires
e023023
The performing way of teaching: actions to form and deform
December 22, 2023
https://doi.org/10.20396/conce.v12i00.8674907
DOI:
https://doi.org/10.20396/conce.v12i00.8674907
Vanessa Benites Bordin
e021001
Artivism - tensions between life and art: the experience of a performer in the Worecü ritual
May 15, 2021
https://doi.org/10.20396/conce.v10i00.8662087
DOI:
https://doi.org/10.20396/conce.v10i00.8662087
Rafael Mondragón
e020015
Defend life in the midst of death: the performative actions of Manuel Amador and the Women, Art and Politics Workshop
December 23, 2020
https://doi.org/10.20396/conce.v9i00.8662161
DOI:
https://doi.org/10.20396/conce.v9i00.8662161
Ludmila Rosa
e023005
Art and Yoga: experiments in a practice of freedom
September 9, 2023
https://doi.org/10.20396/conce.v12i00.8671138
DOI:
https://doi.org/10.20396/conce.v12i00.8671138
Gisela Reis Biancalana, Camila Matzenauer dos Santos
94-109
Ethical and societal entanglements on Priscila Rezende’s art:: black-woman-performer
December 12, 2019
https://doi.org/10.20396/conce.v8i2.8656490
DOI:
https://doi.org/10.20396/conce.v8i2.8656490
Álvaro Villalobos Herrera
e020011
Anticolonial artistic performance and counterclaims in Nuestramérica
December 23, 2020
https://doi.org/10.20396/conce.v9i00.8661888
DOI:
https://doi.org/10.20396/conce.v9i00.8661888
Monica Toledo Silva
e023004
Performative image in traces of presence
September 6, 2023
https://doi.org/10.20396/conce.v12i00.8669349
DOI:
https://doi.org/10.20396/conce.v12i00.8669349
Maíra Barillo
276-297
Where fiction and photography meet: performance photography and performativities
December 12, 2019
https://doi.org/10.20396/conce.v8i2.8656452
DOI:
https://doi.org/10.20396/conce.v8i2.8656452
Pablo Assumpção Barros Costa, Christine Greiner
e020008
Bending death’s will, dispossessing violence: embodiment, performance, necropolitics
November 20, 2020
https://doi.org/10.20396/conce.v9i00.8661341
DOI:
https://doi.org/10.20396/conce.v9i00.8661341
Luiz Fernando Ramos
e021007
For the license towards pure abstraction: available impossibility in live arts
October 25, 2021
https://doi.org/10.20396/conce.v10i00.8667347
DOI:
https://doi.org/10.20396/conce.v10i00.8667347
Cecilia Tamplenizza, Edilene Dias Matos
e020006
Capoeira Angola from the perspective performance and ritual studies point of view
November 9, 2020
https://doi.org/10.20396/conce.v9i00.8660665
DOI:
https://doi.org/10.20396/conce.v9i00.8660665
Henrique Grimaldi Figueredo
e020010
Performing the risk: four contemporary obituaries in Alexander McQueen
November 20, 2020
https://doi.org/10.20396/conce.v9i00.8659720
DOI:
https://doi.org/10.20396/conce.v9i00.8659720
Irani Cippiciani
e021005
Gender and performance in South India: the ambivalent female: from the goddess strength to the women´´ s denial
September 2, 2021
https://doi.org/10.20396/conce.v10i00.8665552
DOI:
https://doi.org/10.20396/conce.v10i00.8665552
Julia Guimarães Mendes
e023016
Performing theory, deconstructing identities: an analysis of Stabat Mater by Janaína Leite, A Invenção do Nordeste by Grupo Carmin, and Isto é um negro? by EQuemÉGosta?
December 17, 2023
https://doi.org/10.20396/conce.v12i00.8674670
DOI:
https://doi.org/10.20396/conce.v12i00.8674670
Vida Midgelow
1-6
Ethics and performance
December 16, 2019
https://doi.org/10.20396/conce.v8i2.8657885
DOI:
https://doi.org/10.20396/conce.v8i2.8657885
Levi Mota Muniz
e023012
Performance as a flow to rethink gender and ecology in the city from the action “Retralhas” : about patchwork, junk, threads, things and wefts
December 16, 2023
https://doi.org/10.20396/conce.v12i00.8673531
DOI:
https://doi.org/10.20396/conce.v12i00.8673531
Pedro de Senna
75-93
Futures literacy theatre lab with unaccompanied asylum-seeking minors: practical and ethical considerations.
December 13, 2019
https://doi.org/10.20396/conce.v8i2.8657876
DOI:
https://doi.org/10.20396/conce.v8i2.8657876
Daniela Beny Polito Moraes
122-141
Ancestral Gestures: the passage between Candomblé and theatre
July 18, 2018
https://doi.org/10.20396/conce.v7i1.8648538
DOI:
https://doi.org/10.20396/conce.v7i1.8648538
Levi Mota Muniz
110-131
Contemporary performance as an ecological ethic of confrontation: dissident initiatives to rethink gender notions from the viewpoint of “Waste Archeology”
December 12, 2019
https://doi.org/10.20396/conce.v8i2.8656245
DOI:
https://doi.org/10.20396/conce.v8i2.8656245
Alessandra Montagner
e021013
On Surviv(e)al and Re(ex)sista/ence : the persistence of life in The Sissy’s Progress
December 10, 2021
https://doi.org/10.20396/conce.v10i00.8666211
DOI:
https://doi.org/10.20396/conce.v10i00.8666211
Melissa da Silva Ferreira
42-54
Childhood and contemporary theatre: the rights of the child in the context of art and culture
August 28, 2019
https://doi.org/10.20396/conce.v8i1.8654771
DOI:
https://doi.org/10.20396/conce.v8i1.8654771
Samira Borovik
52-62
Xamanismo e performance na criação do espetáculo Ka, de Renato Cohen
December 1, 2014
https://doi.org/10.20396/conce.v3i2.8647686
DOI:
https://doi.org/10.20396/conce.v3i2.8647686
Thaise Nardim
87-98
Três esboços de horizontes imprecisos – lentes de Allan Kaprow para pensar a performance hoje
July 10, 2013
https://doi.org/10.20396/conce.v2i1.8647715
DOI:
https://doi.org/10.20396/conce.v2i1.8647715
Camila Oliveira, Christina Gontijo Fornaciari
69-91
A tecnologia como elemento transversal da cena
July 18, 2018
https://doi.org/10.20396/conce.v7i1.8648610
DOI:
https://doi.org/10.20396/conce.v7i1.8648610
Renato Ferracini
2-6
A Performance Solo como engrenagens de Memórias e Coletividades
December 29, 2014
https://doi.org/10.20396/conce.v3i2.8647680
DOI:
https://doi.org/10.20396/conce.v3i2.8647680
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