Vol. 3 No. 1 (2019)

Vol. 3 No. 1 (2019)

Published January 18, 2019

Editorial

01-08
MODOS. Revista de História da Arte
https://doi.org/10.24978/mod.v3i1.4112
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v3i1.4112

Articles - Collaborations

Renata Gomes Cardoso
09-24
Latin American Art exhibitions at the Riverside Museum in New York, 1939 and 1940: Proceedings of the organization of the Brazilian section
https://doi.org/10.24978/mod.v3i1.4114
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v3i1.4114
Maria Teresa Silveira
26-42
Museography and History of Art: Jeanron's experience at the Louvre in the 1848-1852 Republic
https://doi.org/10.24978/mod.v3i1.1297
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v3i1.1297
Pedro Caetano Eboli Nogueira
44-59
Poetic activism: Transposing the politics from the streets to art sites
https://doi.org/10.24978/mod.v3i1.1300
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v3i1.1300

Dossiê - A Emergência da imagem crítica

Luiz Cláudio da Costa
62-68
Presentation: The emergence of the critical image
https://doi.org/10.24978/mod.v3i1.4115
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v3i1.4115
Simone Cortezão - Instituto Federal de Minas Gerais
69-89
Backwater Zones
https://doi.org/10.24978/mod.v3i1.4080
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v3i1.4080
Emmanuel Alloa
91-113
Iconic turn: A plea for three turns of the screw
https://doi.org/10.24978/mod.v3i1.4077
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v3i1.4077
Maria Bernardete Ramos Flores, Michele Bete Petry
115-132
In the cave of Tarsila: Survivals of the primitive as presence of the non colonial
https://doi.org/10.24978/mod.v3i1.3770
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v3i1.3770
Pedro Hussak van Velthen Ramos
133-143
“Quem adora as imagens, adora o diabo”: Reflections on iconoclasm in Brazil
https://doi.org/10.24978/mod.v3i1.3308
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v3i1.3308
Carolina Junqueira dos Santos
145-161
/dis/appear: stories of images, ghosts and mirrors
https://doi.org/10.24978/mod.v3i1.3768
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v3i1.3768
Fernanda Albuquerque de Almeida
163-178
War of lights: Vision and sight in the work of Harun Farocki
https://doi.org/10.24978/mod.v3i1.3761
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v3i1.3761
Marcos Alexandre Arraes
180-196
Image, consumption and presence: Aspects of an American visual regime in Brazil
https://doi.org/10.24978/mod.v3i1.3765
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v3i1.3765

Ex-posições/33ª Bienal de São Paulo

Francisco Dalcol (org.)
199-207
33rd São Paulo Biennial. Presentation
https://doi.org/10.24978/mod.v3i1.4116
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v3i1.4116
Maria Hirszman
209-217
A Biennial without internal cohesion
https://doi.org/10.24978/mod.v3i1.4085
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v3i1.4085
Felipe Scovino
219-233
Which are the threads?
https://doi.org/10.24978/mod.v3i1.4084
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v3i1.4084
Luiz Camillo Osorio
235-249
From artist-curator to (non) curatorship: Dilemmas of the 33rd São Paulo Biennial
https://doi.org/10.24978/mod.v3i1.4087
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v3i1.4087
Clarissa Diniz
250-265
Question to reaffirm : Reflections on the curatorial and political “rolezinho” of the 33rd São Paulo Biennial
https://doi.org/10.24978/mod.v3i1.4088
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v3i1.4088
Juliana Coelho Gontijo
268-279
The Pregnancy of Form
https://doi.org/10.24978/mod.v3i1.4110
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v3i1.4110
Francisco Dalcol
281-299
Artist as curator: Convergences and dissolutions between artistic and curatorial practices
https://doi.org/10.24978/mod.v3i1.4117
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v3i1.4117