Vol. 6 No. 3 (2022)

Vol. 6 No. 3 (2022)

Published August 20, 2022

Editorial

1-20
Depends on who looks: forms of cultural and artistic (in)dependencies
https://doi.org/10.20396/modos.v6i3.8670955
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/modos.v6i3.8670955

Articles - Collaborations

Jessica Gogan
22-54
Rehearsals for curating inside/out: walking with Lygia Clark
https://doi.org/10.20396/modos.v6i2.8668470
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/modos.v6i2.8668470
Antenor Ferreira Corrêa
56-91
Abstractionism in audio-visual works
https://doi.org/10.20396/modos.v6i3.8668646
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/modos.v6i3.8668646
Marcele Linhares Viana
93-122
Brazilian culturalities: decorative art at the national salon of fine arts (1930 and 1940)
https://doi.org/10.20396/modos.v6i3.8670317
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/modos.v6i3.8670317
Sílvia Guimarães Borges
124-149
To entertain house passions: Case study or theoretical experience?
https://doi.org/10.20396/modos.v6i3.8670659
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/modos.v6i3.8670659
Emerson Dionisio Gomes de Oliveira
151-185
The ardent, magical, and popular brazilian baroque: curatorship and colonial art
https://doi.org/10.20396/modos.v6i3.8670987
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/modos.v6i3.8670987
Jancileide Souza dos Santos
187-207
Popular art, handicrafts, gender and race relations: the place of black women's art
https://doi.org/10.20396/modos.v6i3.8670725
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/modos.v6i3.8670725

Dossiê - Independência ou Morte! tradições e modernidades

Aldrin Moura de Figueiredo, Paulo Knauss
209-214
Presentation: Independence or death! Traditions and modernities
https://doi.org/10.20396/modos.v6i3.8670926
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/modos.v6i3.8670926
Francislei Silva
216-243
The monument of the "guarani warrior": the fountain of Conceição de Mato Dentro and the independence of Brazil in Minas Gerais
https://doi.org/10.20396/modos.v6i3.8668874
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/modos.v6i3.8668874
Nathan Gomes
245-272
"Joana Angélica or the martyr of independence": history of lost painting by Firmino Monteiro
https://doi.org/10.20396/modos.v6i3.8668832
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/modos.v6i3.8668832
Eduardo Augusto Costa
274-298
This granite: the materiality as a historiographical review strategy
https://doi.org/10.20396/modos.v6i3.8668695
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/modos.v6i3.8668695
Afonso Medeiros
300-316
How many “modernisms” fit in on a modernity?
https://doi.org/10.20396/modos.v6i3.8668870
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/modos.v6i3.8668870
Fernanda Albertoni
318-351
Closings and openings of national memory and identity from o Brasil, by Jaime Lauriano
https://doi.org/10.20396/modos.v6i3.8668769
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/modos.v6i3.8668769
Mateus Carvalho Nunes, Agnaldo Farias
353-370
"Trapioca", by Emmanuel Nassar : modern traps
https://doi.org/10.20396/modos.v6i3.8668865
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/modos.v6i3.8668865

Exhibitions / Review

Dária Jaremtchuk
372-400
“Contar o tempo” (telling time): balance of an experience
https://doi.org/10.20396/modos.v6i3.8670949
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/modos.v6i3.8670949
Iago Porfírio
402-428
Notes on the crossroads
https://doi.org/10.20396/modos.v6i3.8670174
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/modos.v6i3.8670174

Montage: the context of exhibitions

Cristiana Miranda
430-441
A hidra do Iguaçu: an experimental cinematographic journey through colonial history
https://doi.org/10.20396/modos.v6i3.8670861
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/modos.v6i3.8670861