Vol. 5 No. 1 (2021)

Editorial

7-12

Abstrações em debate

https://doi.org/10.20396/modos.v5i1.8664659

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DOI: https://doi.org/10.20396/modos.v5i1.8664659

Articles - Collaborations

Luiza Mader Paladino

14-31

Mário Pedrosa's chilean exile: solidarity, popular art and community vocation

https://doi.org/10.20396/modos.v5i1.8663905

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DOI: https://doi.org/10.20396/modos.v5i1.8663905

Pedro Ernesto Freitas Lima

33-52

Nordestes, curatorship and identity: Moacir dos Anjos and the strategic use of “nordestinidade” (“northeasternness”)

https://doi.org/10.20396/modos.v5i1.8663904

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DOI: https://doi.org/10.20396/modos.v5i1.8663904

Sheila Cabo Geraldo

54-73

Heitor dos Prazeres: rich inner life and establishment of art

https://doi.org/10.20396/modos.v5i1.8664022

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DOI: https://doi.org/10.20396/modos.v5i1.8664022

Elson de Assis Rabelo

75-92

The texture of the backlands: metalanguage and meta-image in the work of Euvaldo Macedo Filho

https://doi.org/10.20396/modos.v5i1.8663917

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DOI: https://doi.org/10.20396/modos.v5i1.8663917

Dossier - Abstract Art in Brazil: New Perspectives

Ana Gonçalves Magalhães, Adele Nelson

94-103

Introduction - Abstract art in Brazil: new perspectives

https://doi.org/10.20396/modos.v5i1.8664173

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DOI: https://doi.org/10.20396/modos.v5i1.8664173

Ana Gonçalves Magalhães, Adele Nelson

105-113

Introduction. Abstract art in Brazil: new perspectives

https://doi.org/10.20396/modos.v5i1.8664175

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DOI: https://doi.org/10.20396/modos.v5i1.8664175

Kaira M. Cabañas

115-127

Toward a Common Configurative Impulse

https://doi.org/10.20396/modos.v5i1.8664006

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DOI: https://doi.org/10.20396/modos.v5i1.8664006

Mária Amalia García

129-146

Vernacular readings of postwar south american abstraction

https://doi.org/10.20396/modos.v5i1.8664024

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DOI: https://doi.org/10.20396/modos.v5i1.8664024

Sérgio B. Martins

148-158

Avant-garde Anticlass: overcoming plan, page and stage in Lygia Pape's poetics

https://doi.org/10.20396/modos.v5i1.8664220

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DOI: https://doi.org/10.20396/modos.v5i1.8664220

Ana Avelar

160-177

Expressive women painters and printmakers: a unique chapter. Informalism and abstract expressionism in Brazil

https://doi.org/10.20396/modos.v5i1.8664221

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DOI: https://doi.org/10.20396/modos.v5i1.8664221

Heloisa Espada

179-197

Beyond order and reason: the swiss delegation to the First Bienal do Museu de Arte Moderna de São Paulo

https://doi.org/10.20396/modos.v5i1.8664232

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DOI: https://doi.org/10.20396/modos.v5i1.8664232

Regina Teixeira de Barros

199-214

The common denominator of the avant-garde: the Leirner Prize of Contemporary Art

https://doi.org/10.20396/modos.v5i1.8664009

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DOI: https://doi.org/10.20396/modos.v5i1.8664009

Elizabeth Catoia Varela

216-229

A critical controversy : a critical controversy

https://doi.org/10.20396/modos.v5i1.8664007

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DOI: https://doi.org/10.20396/modos.v5i1.8664007

Talita Trizoli

231-248

A double exclusion: Judith Lauand and Jandyra Waters, between concretism, mysticisms and possible feminisms

https://doi.org/10.20396/modos.v5i1.8663977

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DOI: https://doi.org/10.20396/modos.v5i1.8663977

Priscila Sacchettin

250-268

“When I was a girl, I fell in love with objects”: oictorial work by Maria Leontina and sensitive geometry

https://doi.org/10.20396/modos.v5i1.8663995

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DOI: https://doi.org/10.20396/modos.v5i1.8663995

Gil Vieira Costa

270-289

Abstract art in Brazil: Estela Campos, clube de artes plásticas da amazônia and equipe gestalt

https://doi.org/10.20396/modos.v5i1.8663993

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DOI: https://doi.org/10.20396/modos.v5i1.8663993

Almerinda Silva Lopes

291-310

Clashes of the Fundamentos Magazine with Abstraction: from intransigence to an attempt to understand

https://doi.org/10.20396/modos.v5i1.8664177

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DOI: https://doi.org/10.20396/modos.v5i1.8664177

Vera Beatriz Siqueira

312-334

Ecology of abstract form in Brazil: the case of Roberto Burle Marx

https://doi.org/10.20396/modos.v5i1.8664023

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DOI: https://doi.org/10.20396/modos.v5i1.8664023

Montage: the context of exhibitions

Luciano Vinhosa Simão

336-346

Immersion devices and the spectator’s self-representation: the use of the tv in exhibitive spaces

https://doi.org/10.20396/modos.v5i1.8663932

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DOI: https://doi.org/10.20396/modos.v5i1.8663932