Vol. 5 No. 2 (2021)

Editorial

1-15

Agendas and Agents in the Art World: Biennials in the Classroom

https://doi.org/10.20396/modos.v5i2.8665820

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DOI: https://doi.org/10.20396/modos.v5i2.8665820

Articles - Collaborations

Carolina Vanegas

16-35

Involuntary Models: Víctor de Pol and the Challenges of Ethnic Sculpture in Argentina

https://doi.org/10.20396/modos.v5i2.8665039

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DOI: https://doi.org/10.20396/modos.v5i2.8665039

Cláudia Oliveira

37-57

Centering Angelina Agostini in the canon: towards a feminist art history

https://doi.org/10.20396/modos.v5i2.8665321

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DOI: https://doi.org/10.20396/modos.v5i2.8665321

Maria de Fátima Medeiros de Souza

59-85

Traveling, observing and recording: Collection and Circulation of Maria Graham's visual works

https://doi.org/10.20396/modos.v5i2.8664763

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DOI: https://doi.org/10.20396/modos.v5i2.8664763

Priscila Arantes

87-98

Waldemar Cordeiro and Arteônica: Rewritings of digital art in Brazil and Latin América

https://doi.org/10.20396/modos.v5i2.8663931

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DOI: https://doi.org/10.20396/modos.v5i2.8663931

Bianca Andrade Tinoco, Juan Albarrán Diego

100-117

The institutionalization and collecting of performance art in Spanish museums

https://doi.org/10.20396/modos.v5i2.8664764

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DOI: https://doi.org/10.20396/modos.v5i2.8664764

Dossier - A recurring occurrence: biennials and perennial exhibitions

Gabriel Ferreira Zacarias, Vinicius Spricigo

119-131

A recurring occurrence: biennials and perennial exhibitions of contemporary art

https://doi.org/10.20396/modos.v5i2.8665717

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DOI: https://doi.org/10.20396/modos.v5i2.8665717

Nora Sternfeld

133-141

Assembling and disassembling: biennials between boycott and counter-hegemony in the second decade of the 21st century

https://doi.org/10.20396/modos.v5i2.8665519

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DOI: https://doi.org/10.20396/modos.v5i2.8665519

Jérôme Glicenstein

143-156

Paris’ Biennale (1959-85): an impossible encounter between the French State and the avant-garde art scene

https://doi.org/10.20396/modos.v5i2.8665537

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DOI: https://doi.org/10.20396/modos.v5i2.8665537

Vinicius Spricigo

158-176

The origin of large scale international exhibitions and the art from Brazil in Britain

https://doi.org/10.20396/modos.v5i2.8664197

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DOI: https://doi.org/10.20396/modos.v5i2.8664197

Joaquin Barriendos

178-192

The Havana biennial in the geopolitical imaginary of Third Text

https://doi.org/10.20396/modos.v5i2.8665179

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DOI: https://doi.org/10.20396/modos.v5i2.8665179

Juliana Caffé Caffé

194-210

1st Havana Biennial and 2nd Johannesburg Biennial: Considerations for a biennial research methodology

https://doi.org/10.20396/modos.v5i2.8664156

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DOI: https://doi.org/10.20396/modos.v5i2.8664156

Mirtes Marins de Oliveira

212-220

Biennials and epistemological turns: Pandemic and decoloniality

https://doi.org/10.20396/modos.v5i2.8665703

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DOI: https://doi.org/10.20396/modos.v5i2.8665703

Luiz Sérgio da Cruz de Oliveira

222-237

“Curatorship is about power”: art and negotiated authorship at inSite_05

https://doi.org/10.20396/modos.v5i2.8664203

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DOI: https://doi.org/10.20396/modos.v5i2.8664203

Leonor Veiga

239-251

Southeast Asian biennales: local and global interactions

https://doi.org/10.20396/modos.v5i2.8665187

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DOI: https://doi.org/10.20396/modos.v5i2.8665187

Marcos Pedro Magalhães Rosa

253-270

Imaginary cartography and arts geopolitics: São Paulo Biennials in the 1950s, Paris and the artistic world peripheries

https://doi.org/10.20396/modos.v5i2.8664153

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DOI: https://doi.org/10.20396/modos.v5i2.8664153

German Alfonso Nunez

272-291

Better to light a candle than curse the darkness: the boycott of the American representation at the 10th São Paulo Biennial, between those dominant and dominated

https://doi.org/10.20396/modos.v5i2.8664199

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DOI: https://doi.org/10.20396/modos.v5i2.8664199

Angélica González Vázquez

293-305

The biennale di Venezia: Historical perspectives and recent conjectures

https://doi.org/10.20396/modos.v5i2.8665180

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DOI: https://doi.org/10.20396/modos.v5i2.8665180

Tiago Machado

307-318

The social space of contemporary art and the works in situ in periodic exhibitions: Daniel Buren's indications

https://doi.org/10.20396/modos.v5i2.8665258

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DOI: https://doi.org/10.20396/modos.v5i2.8665258

Gabriel Ferreira Zacarias

320-336

Denying History, Exporting the Myth: dOCUMENTA(13) between Kassel and Kabul

https://doi.org/10.20396/modos.v5i2.8665317

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DOI: https://doi.org/10.20396/modos.v5i2.8665317

Nanne Buurman

338-355

d is for democracy? : documenta and the Politics of Abstraction between Aryanization and Americanization

https://doi.org/10.20396/modos.v5i2.8665413

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DOI: https://doi.org/10.20396/modos.v5i2.8665413

Exhibitions / Review

Renata Dias Ferraretto Moura Rocco

357-372

Notes on the exhibition Transbordar: transgressões do bordado na arte

https://doi.org/10.20396/modos.v5i2.8665171

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DOI: https://doi.org/10.20396/modos.v5i2.8665171

Rafael Marino

374-383

Dance and rhythm in Oiticica: on Hélio's swing

https://doi.org/10.20396/modos.v5i2.8664836

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DOI: https://doi.org/10.20396/modos.v5i2.8664836