Vol. 6 No. 1 (2022)

Editorial

1-16

Afro...(Re) existences

https://doi.org/10.20396/modos.v6i1.8668137

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DOI: https://doi.org/10.20396/modos.v6i1.8668137

Articles - Collaborations

Márcio Tavares

18-49

Art under attack: The uses and abuses of art by reactionary networks during the censorship of the Queermuseu exhibition

https://doi.org/10.20396/modos.v6i1.8667547

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DOI: https://doi.org/10.20396/modos.v6i1.8667547

Milton Silva dos Santos

51-81

The Afro in the visual arts: Conceptualization and approach in Art, History and Afro-Brazilian and Indigenous Culture textbooks

https://doi.org/10.20396/modos.v6i1.8667606

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DOI: https://doi.org/10.20396/modos.v6i1.8667606

Maryella Sobrinho

83-104

Archisculpture: A way of approaching Cristina Iglesias work

https://doi.org/10.20396/modos.v6i1.8667449

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DOI: https://doi.org/10.20396/modos.v6i1.8667449

Art and African diaspora: conflicts, canons, new beginnings

Arthur Valle, Roberto Conduru

106-120

Arts and African diaspora: conflicts, canons, new beginnings

https://doi.org/10.20396/modos.v6i1.8667936

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DOI: https://doi.org/10.20396/modos.v6i1.8667936

Juliana Ribeiro da Silva Bevilacqua

122-148

Intertwined histories: An overview of the African art exhibitions at MASP

https://doi.org/10.20396/modos.v6i1.8667204

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DOI: https://doi.org/10.20396/modos.v6i1.8667204

Anderson Almeida

150-173

Flower of silence and haunt: Memories intertwined in the Coleção Perseverança

https://doi.org/10.20396/modos.v6i1.8667476

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DOI: https://doi.org/10.20396/modos.v6i1.8667476

Elena O’Neill

175-200

Atlantic crossings and “Negro art”: contexts, collections and challenges

https://doi.org/10.20396/modos.v6i1.8667206

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DOI: https://doi.org/10.20396/modos.v6i1.8667206

Joyce Farias

202-229

Reviewing historiographic knots: Notes on the sculptures of saint-amulets from the Paraíba Valley and their African origins

https://doi.org/10.20396/modos.v6i1.8666566

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DOI: https://doi.org/10.20396/modos.v6i1.8666566

Tadeu Mourão

231-265

Above all, the Mothers: black artistic and cosmological traditions in the pencas de balangandãs

https://doi.org/10.20396/modos.v6i1.8667809

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DOI: https://doi.org/10.20396/modos.v6i1.8667809

Katerina Kerestetzi

267-338

Aesthetic Emotions in Afro-Cuban Ritual Stagecraft

https://doi.org/10.20396/modos.v6i1.8667529

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DOI: https://doi.org/10.20396/modos.v6i1.8667529

Arthur Valle

340-376

“Exu, c’est pour vous”: Benjamin Péret visits Afro-Brazilian places of worship in 1930

https://doi.org/10.20396/modos.v6i1.8667466

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DOI: https://doi.org/10.20396/modos.v6i1.8667466

Rafael Cardoso

378-410

Cultural appropriation or diasporic imagination? Afro-Brazilian identity in the works of Dimitri Ismailovitch and Maria Margarida Soutello

https://doi.org/10.20396/modos.v6i1.8667205

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DOI: https://doi.org/10.20396/modos.v6i1.8667205

Roberto Conduru

412-431

The black agent as a factor in Brazilian modernization

https://doi.org/10.20396/modos.v6i1.8667440

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DOI: https://doi.org/10.20396/modos.v6i1.8667440

Camilla Querin

433-469

We write samba on the wild asphalt: Malandragem as practice of resistance in the work of Heitor dos Prazeres and Hélio Oiticica

https://doi.org/10.20396/modos.v6i1.8668051

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DOI: https://doi.org/10.20396/modos.v6i1.8668051

Abigail Lapin Dardashti

471-493

Abdias do Nascimento in New York: migration, resistance, and transnational black art, 1968–70

https://doi.org/10.20396/modos.v6i1.8666899

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DOI: https://doi.org/10.20396/modos.v6i1.8666899

José Emmanuel Méndez Sánchez

495-513

Africa and art brut in the 21st century: A pondering from the margins

https://doi.org/10.20396/modos.v6i1.8664898

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DOI: https://doi.org/10.20396/modos.v6i1.8664898

Alexandra Alencar, Jesse da Cruz, Julianna Rosa de Souza

515-538

Mil Litros de Preto: our dark views on Lucimélia Romão's performance

https://doi.org/10.20396/modos.v6i1.8666534

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DOI: https://doi.org/10.20396/modos.v6i1.8666534

Tadeu Ribeiro Rodrigues

540-562

Miscegenation as a visual problem: Notes on coloniality of seeing in Latin America

https://doi.org/10.20396/modos.v6i1.8666346

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DOI: https://doi.org/10.20396/modos.v6i1.8666346

Sabrina Moura

564-582

The return to the Memory Island: Images and Histories of Gorée among African Diaspora Artists

https://doi.org/10.20396/modos.v6i1.8667415

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DOI: https://doi.org/10.20396/modos.v6i1.8667415

Nicole Smythe-Johnson

584-602

Amplifying syncretism: Antonio Obá’s dialectical conception of Brazil

https://doi.org/10.20396/modos.v6i1.8668110

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DOI: https://doi.org/10.20396/modos.v6i1.8668110